To create a traditional pantomime retaining the ethereal spirit of the fairy tale whilst staying true to the original legend is a daunting and sometimes impossible task.
But the City Varieties has proved, yet again, it can achieve the impossible with the ultimate pantomime production of Robin Hood and the Babes in the Wood.
Peter Rose’s script is “pantomime heaven” and coupled with its mood lighting and outstanding set design is a perfect fit for this intimate historic theatre.
Rose successfully combines a story-teller, puppets, dastardly villains, dashing heroes and all the slap-stick, audience participation, raucous humour and glamour that traditional pantomime demands alongside the now inimitable vintage pop songs performed live by the talented cast.
Paul Hart’s production is fast moving and seamless but what sets it apart from others is the vitality and high energy of its performers
From a swashbuckling Robin (Peter Manchester) an evil but rather appealing Sherriff (Darrell Brockis) to Nellie Nigh Nurse (Eamonn Fleming) and Blondel the story teller( Matthew Burns), Mike Slader (Much the Miller) every character is just as it should be.
When it comes to slapstick in your face comedy, panto favourite Kenny Davies (Numskull) , excels with his appealing brand of humour. Teamed with Alexander Bean (Portcullis) this duo are pure gold.
Liz Singleton’s Maid Marions is spirited and feisty whilst as Whitney (Louisa Beadel) and Britney (Sophie Burn) a glamorous twist on the babes are a duo to be reckoned with.
With nothing to frighten tiny tots, sprinklings of innuendoes to amuse the grownups, lots to shout about and the chance to boogie in the aisles its certain this pantomime is going to be the hottest ticket in town.
Review by Liz Coggins
To 10 January
ends